BIG FORMAT DRAWINGS & MURALS by Karina Mosegård
"Under the surface" by Karina Mosegård, 2021
"Under the surface" by Karina Mosegård
Live-drawing at exhibition "Tegneland" Silkeborgbad Kunsthal 2021
Photo by Erland Fager
"Under the surface"
by Karina Mosegård 2021
Mixed media drawing: drawn with Molotow acrylic pens, colored few places, with watercolor.
Surface: Fine canvas, with watercolor primer.
Dimensions 820 cm x 215 cm.
Drawn by Karina Mosegård 2021, at Silkeborgbad Kunsthal 2021.
live-drawing, two weeks, at the eksibition "Tegneland".
The audienceat at the museum could follow the proces.
"Under the surface" by Karina Mosegård 2021
Details from the drawing
"Under the surface" by Karina Mosegård 2021
Details from the drawing
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"Under the surface" by Karina Mosegård
From the exhibition "Tegneland" Silkeborgbad Kunsthal 2021
Natura Morte II
By Karina Mosegård 2024
wall series
Watercolor on plywood 12 x A4
Schlange, Affe, Walnuss
Snake, monkey, walnut
by Karina Mosegård 2013
"Nach einer unendlichen wiederholung ist der Ursprung vergessen......."
"What is hiding behind the curtin" by Karina Mosegård
Installation at Studio Hasheider, Berlin ,Germany 2013
Drawings and writing on cottonsatin and transparent silk
Dimensions: 700 X 280 X 150 cm
Drawn by Karina Mosegård 2013 with oil pastels for fabric, and fabric paint.
"What is hiding behind the curtin" by Karina Mosegård
"What is hiding behind the curtin" by Karina Mosegård
Installation at Altes Spital Arnstadt, Germany, 2013
(Abandoned hospice from DDR)
Part of the show:
"The Beauty of the Transience"
by Curator: JÖrg Hasheider
Mixed-media-installation (cotton, synthetics, embroidery, drawing)
Karina Mosegård reinterprets the arthistorical genre „Nature Morte“, contemporary works in Nature Morte explore the timeless themes of life, death and the irrevocable passing of time in our modern world. The artworks invite us to pause and reconsider what it means to be human. Working with the compostition of inanimated objects. Karina Mosegard technically enhances the concept by embroidering the objects on transparent cloth and place one behind the other. The drawings are floating in space, slightly distorted, almost uncapable, in a process of decomposition. Opposing this, the different layers merge into a new image, and so generate a process of becoming.
Apfel. Eichenhirsch
"Natura Morte", Gobelins transparentes
by Karina Mosegård 2013
Blute 3 layers Curtains
Eichenhirsch Blute
detail from the installation detail from the installation
The room, in a Abandoned hospice, The Room, with the installation:
from the previous GDR "Nature Morte"
"Underworld" installation by Karina Mosegård at RACA
"Underworld"
Installation at RACA, Frederiksberg, Denmark 2004
Drawings direkt on the walls, the windows & the blackpaintet floor.
Dimensions: all the room
Drawn by Karina Mosegård 2004 with oil pastels for fabric, and fabric paint.
"Underworld" installation by Karina Mosegård at RACA
"Underworld" installation by Karina Mosegård at RACA
"Underworld" installation by Karina Mosegård at RACA
"Underworld" installation by Karina Mosegård at RACA
"Underworld" installation by Karina Mosegård at RACA
"Underworld" installation by Karina Mosegård at RACA
About:
The boundaries of the transparent
In a couple of years, I have worked with the boundaries of the transparent in layers and transparency. The works mainly consist of several transparent layers, which with drawings, prints and text form a kind of layer-on-layer graphic "mosaic" which changes when the viewer moves a little.
The works are created in a Correspondent between image and text, the visible and the indistinct, the meeting between light, dark and gray zones, the transparent and the obscure that in an interaction with space form a whole.
The strange abstractions and ambiguous fragments invite the viewer into a different landscape, a universe of their own, within the boundaries of the transparent - and the opaque.
I connect here several levels of the perception of life, the underlying, opaque level embedded in mysteries of sexuality, the hidden thoughts, the secret, a entanglement of all things and beings. On the other, a transparent and almost volatile level, the inevitable, the presence of the visible. Boundaries of perception and body arise - the relationship between what we see and who we are. The intellectual and reflective level. The various possibilities of experiencing life, of the complex joy and sorrow of immersing oneself in its infinite and immediate presence.