“Under the surface” by Karina Mosegård Live-drawing at exhibition “Tegneland” Silkeborgbad Kunsthal 2021
Large-format drawing projects: Karina Mosegård often works with large-format drawings that involve the surrounding space. In the sketches for the large drawings, she works with both depictions of recognizable objects and, in recent years, with a process that draws on surrealist automatism (automatic drawing). This technique originally originated with the surrealists in the 1920s. It involves letting the hand move freely across the paper without any conscious control, planning, or self-censorship.
“Under the surface” by Karina Mosegård, 2021
“Under the surface” by Karina Mosegård Live-drawing at exhibition “Tegneland” Silkeborgbad Kunsthal 2021 Photo by Erland Fager
“Under the surface” by Karina Mosegård, 2021 Mixed media drawing: Graphite, Molotow acrylic pens, & Daniel Smith watercolor. Surface: Fine canvas, with primer. Dimensions: 820 cm x 215 cm. Drawn by Karina Mosegård Silkeborgbad Kunsthal 2021. Live drawing, two weeks, at exhibition “Tegneland”. The audience at the museum could follow the process.
“Under the surface” detail Karina Mosegård, 2021
“Under the surface” detail Karina Mosegård, 2021
“Under the surface” detail Karina Mosegård, 2021
“Under the surface” detail Karina Mosegård, 2021
“Under the surface” by Karina Mosegård, 2021
Natura Morte II
by Karina Mosegård
Natura Morte II By Karina Mosegård 2024 wall series Watercolor on plywood 12 x A4
“Nach einer unendlichen wiederholung ist der Ursprung vergessen…….”
by Karina Mosegård
Schlange, Affe, Walnuß “Nach einer unendlichen wiederholung ist der Ursprung vergessen…….” Snake, monkey, walnut by Karina Mosegård 2013
Photo by Bjørn Pierri Enevoldsen
Schlange
Affe
Walnuss
“What is hiding behind the curtin” by Karina Mosegård
“What is hiding behind the curtin” by Karina Mosegård , Installation at Studio Hasheider, Berlin ,Germany 2013
Drawings and writing on cotton satin and transparent silk organza. Dimensions: 700 X 280 X 150 cm Drawn by Karina Mosegård with oil pastels for fabric & fabric paint.
“What is hiding behind the curtin” by Karina Mosegård
“Natura Morte”, Gobelins transparentes by Karina Mosegård 2013
Karina Mosegård reinterprets the arthistorical genre „Nature Morte“. Contemporary works in Nature Morte explore the timeless themes of life, death, and the irrevocable passing of time in our modern world. The artworks invite us to pause and reconsider what it means to be human. Working with the composition of inanimate objects. Karina Mosegard technically enhances the concept by embroidering the objects on transparent cloth and placing one behind the other. The drawings are floating in space, slightly distorted, almost incapable, in a process of decomposition. Opposing this, the different layers merge into a new image, and thus generate a process of becoming.
Apfel/ Apple
Hirschkäfer/ Lucanus cervus
Blüte/ Blossom
Detail of the artwork “Nature Morte” in an abandoned hospice from the former DDR, GDR, Arnstadt, 2013
Detail of the artwork “Nature Morte” in an abandoned hospice from the former DDR, GDR, Arnstadt, 2013
The room where the installation “Nature Morte” was shown, in an abandoned hospice from the former DDR, GDR, Arnstadt, 2013
Detail of the artwork “Nature Morte” in an abandoned hospice from the former DDR, GDR, Arnstadt, 2013
